Trinity Sky Minute

The music drifted through Soporfico's layer with a gentle - but certainly not obvious - telos.

I had boarded a real train at a real station in real time 5 to 10 minutes ago; plugged into media almost but not quite above my head 7 minutes ago; and drifted into the dragon's layer about 2 minutes ago.

Skin temperature had dropped, blood brought to the internal organs as I relaxed into an unknown wavelength somewhere between drowsing and dreaming and there

there the music came in; through a little crack in the gray borderland between here and here. And with the music, the changes.

My fingers impossibly stretched from the last car to the first car of the Express, and I Iphone pinched the whole beast into a toy version of itself. I witnessed and descended simultaneously, looking at the giant toy train before me; climbed the ladder and said hello to the conductor; did all the things I could not do in the non-dreaming state, finally laying down and looking at the clouded sky above me.

And that sky was the boundary from here to here. Just on the other side was the 'real' train, where I sat quietly drowsing and I could feel the rubber band, the psychic umbilical chord pulling me from the toy train

to the 'real train'

to the room at 214 where I put the feet up to nap when Soporifico is too strong for me to properly do battle with.

Three layers deep, this, like Inception, or the Perennial philosophy, or the gross subtle causal, or the Trinity

And with that, looking at the clouds, and thinking Trinity

A vision of a stool, with three legs supporting the supportable

Which stretched out and inverted itself and scooped me up, train, soporifico and all, and pulled us all back on the rubber band track to 214

So strong that it broke the glass and sent me 24 floors down towards the cement where finally

I was caught by the Iphone, captured, QR'd, and posted as a story for ghosts to read in the coming days.

Just saying.

Alpine Queen

While the Alpine Queen found it disquieting, there was nothing that could be pointed to that was quintessentially 'wrong', so she continued on her way - which was nothing more than staying put. Being a particularly large and volume-displacing sea-going vessel, this was entirely appropriate.

I, on the other hand, was not ship like, and _also_ noted a disquietude in the air. She was gone and forgotten quickly, apart from the tracer association lay quietly in my neural network.

The rest of the inlet commute was forgettable; docked and hopped ashore with little fanfare, and walked into the terminbus quickly to get out of the cold.

Second tracer: the termnibus was all but empty. Unusual, given the commuting day of Monday, the day where chiseled intellects and egos streaked through leaving their pyschic scents like an updated version of Hansel's bread crumbs through the labyrinthine passageways that connected them to their burrows which brought them home to work.

I stepped aside from myself for a moment, getting as close the nonlocal as was possible - there was a need to think here, and while surrender would have been pleasing, it was not practical at this point. The main point pressing on the pineal was whether or not this was a dream, and the answer was not as straightforward as it seemed.

There was the no-people thing, which was freaking me out a little; this would be hard to explain outside the context of a dream. And there was this ability pull myself into different parts of the termnibus with nothing but eye contact and a little will. Still, there was a subtle sheath here, a _something_ that was containing the freedom I knew from lucid dreaming.

Tracer three: The ability to sit stand half in and out of the nonlocal; felt like the point where lightness and darkness met on the moon. From here, I was able to point, pinch, and grab parts of the scene before me and move them like a magic nine squre sliding puzzle. Surely a dream!

But no, this toffee reality had smudges and blurs that were clearly attached to the sheath, there was no breaking through to another plane.

I moved up through my head, careful to latch my toes on the front of my crown center - gods knew where I would end up if I slipped up and out. I wasn't sure that this place was even on the gods' roadmap.

Final tracer as my head popped through the sheath and looked around at ... the not finite. Sparkler connectors bounced the protganists out away from the gelatinous bubble like bait on god's fishing rod, attracting others who were connected to their own rods into their own bubbles.

A strange bearded fellow bounced happily from orb to orb, latching my eye contact, pulling me with him; out of the crown and spread eagled into the not-finite;

which became the Alpine Queen

which was outside the train

where it all began.

Tracers path registered, and the day

continued.

Rich Paulsy is a Coward

Now, don't blame the messenger.

I sure as hell didn't put it up there, rip it off the side, convince it to run through town or take on a life of its own.

Let's move back, shall we.

Cold morning. Rain sheeting the windshield, but the ignition is off now. Just the radio and the fan to keep the steam off the inside of the windows while I wait for my train.

Early? No - false alarm, that's just a freight that rides a parallel line with mine.

They can be noisy bastards - come and watch the platform and see how many people have their hands over their ears as the screech of metal on metal gives the second and final notice that the train is HERE, get ready, all aboard kids.

But when they keep moving, all good, just a thumble runder of wheels on steel, load shifting as one two ten 100 cars go past, metal snake making its way left to right past to present to future. Lot of writing on the side, me thinks as I watch the beast trundle by.

And THAT's when the strange shite starts. Rich Paulsy is a coward. Straight and narrow script, stick letters, and as it moves from my present to the future (to my left, in front of me, to my right). And out of the periphery of my vision -(you know the space where ghosts and intuition tease you and flirt with each other) I see movement. Careful now so as not to derail the happenings - no pun intended. Peripheral vision happenings are very cat like - you know, the little feline coming down the hall, you approach with clippers and intent, and if that intent is borne of your headlight vision preceding you, the cat will pick up on it and take off. Same with the peripheral vision - if the happenings in that space even suspect you are about to focus full attention front and center on them, well, they just return to form and the shows over.

So I'm careful. Mood supports my intention, grace I guess, you can't control these things - sometimes it either works or it doesn't - but out of the side of my vision I can see the words start to peel off the side of the train - like one of those kids tattoos coming off of its backing and now its completely off, fluttering like a leaf towards than away from me and now

I can't help it, I've got to have me a look-see. And what I see is the words wrapping themselves into a running form - not exactly human, but close to, and running. Full out sprint now and I've been made. Rich Paulsy is a Coward makes eye contact with me (it's two 'i's lighting up and tracking me like a laser pointer) then disconnect and it runs as fast and as hard as it can into a building and

fuka

It's now up there. Same script, different location.

Train hasn't stopped moving throughout this whole event, I squint to see the container car it came from and it looks like the writing is gone there...

But this is one of those things that lives in the spaces, that can only be acknowledged by grace or luck (maybe luck IS just grace) and doesn't need to be quantified or verified - I just KNOW.

But, as if to underscore it, there's another performance. And another.

Letters are flying off of the train now, Heisenberg's graffiti cleaning service front and center and now they don't seem to give a rats ass if I watch or not.

It's a strange dance now, kids. The alphabet is out in front of me in a tornado whirl, a carnival merry go round of fantastic proportions, words forming and dissolving, a linguistic trinity creating sustaining and destroying (but never really destroyed, just back in the soup) and the colours are there, and the Sounds. The sounds of the mechanics of creation, a deep hum that is marching band and solitary voice and terrible thunder and falsetto cry of a bird on the wind all threaded together in a fantastic cacophony that finally

Explodes

And the letters with it. They DO know they've been made. By me and a couple of others with the i's to see. They explode and cascade down in the city, splattering against building sides and sidewalks and bins and cars.

I close my eyes to hold the vision and the bright burning after image is collapsing on itself into a single three lettered word that ties the city together north to south east to west

aum.

Are you us?

I'm happy just to sit here, wait for the bite of the fog outside to be excised as the door closes and the people mover whisks us on its way.

Happy to scan a few pages before el soporifico hits like a pacific front. Warm, unrelenting; washes over me and blankets me in a soft sheath of stupor, taking me to

..eh

what's that?

Odd conversation happening next to me.

I drift nonetheless

To the sweet spot, glassed between two layers of consciousness, almost dreaming but with the slightest of grips on the top pane of glass and then

plunk

there.

Plates above and below have fogged in, but there's light coming through, suggests not a very long trip down here and I must be hungry because it's all about ribs.

This is isn't id here, this is the little brain talking. GI juices must be rumbling back on the other side of the glass because all I can think about is

..how long to boil these puppies. And the juxtapositions begin. Geometry of dreams; shapes and shadows overlapping and contraindicating and challenging and diffusing together. And there, being pushed out of the wall in a perfect wife-size profile she comes and now we're

talking

How long again? Wouldn't it be easier to braise these in the oven or even barbecue them...boiling seems so Dahmner like and the smell. I love meat dear, you know that, but sometimes the smell can

But dreams have geometry, they also have their own linguistics so it comes out something like

thought word thought thought word

and ultimately comes out as something like "purple", which somehow captures the meaning, intent, undercurrents and fluorescence of the whole dialogue

Which now segues without a pause to the new family member. How long should we keep her separate in her room ("red"); is she eating enough "yokel" wonder if she has had her shots (thought).

Dreams are at once unilateral and non-hierarchical, another paradox for another day. But it comes to bear in THIS dream as it our relationship transferred to the subtle realm, so there's collaboration and back and forth but utlimately I pull the shots here - nobody else can except maybe for that lady looking down from the glass plate she has a cord she's somehow dangled through, odd, solid through solid, but this is sopor land and the next things blur into continuity, the subtle realm and the gross realm destroying opposites as they couple and twist as I pull the chord and

eyes are opening. Nice train. Warm train. fog gone. But she is still talking to her other half, who sounds a lot like mine, given the context of the conversation. She's finishing up with their new pet now, about to say cloistered goodbye without a lot of vociferous love-yous, a lot like me, pointing me again the to ultimate impersonal nature of most of our very human transactions.

Cohen, for all the edges I can't seem to get over, does have that one NAILED. Fear, anger, depression, love, they're the same between all of us - just different degrees of intensity.

And with that thought threading and wrapping around the mists her conversation wound around me, I'm off to nappy land again

shuka.

is playing a particularly dull game of mental, vowel-less scrabble solitaire while he waits for a late train.

is, again, relying on Otis to make or break my train departure time.